June 13th, 2013

This blog post has been deleted three times in the past five days. Each time, it was close – close to being publishable, which is ridiculous, because anything is publishable. I have a blog. I have a submit button. I can make anything live.

But I don’t. Instead, I try again. I stop. I rewrite. I kill my darlings through massacre. We’re having a fire sale. Everything must go.

Internal Monologue

We read a lot. Every day. It’s paralyzing to see the amount of emotionally charged and culturally relevant writing that gets poured onto the web each day, each author with a unique voice, each piece an original place.

It’s hard not to want to be involved. It’s even harder to be involved. Because now that writing you used to love has shifted from leisure to benchmark. When you care so strongly about writing something amazing, it’s impossible to see other great writing as anything but necessary competition.

I have always been jealous of the writers for sites like The Pastry Box Project, who are asked to bare their souls to an audience eager for enlightenment, where raw emotion is turned into life lesson. I’m jealous for how easy they make it look. But this ain’t easy, people: the line between navel gazing self-flagellation and genuine personal insight is thin. It’s stepped over and brushed aside and it takes a genuine voice to keep things civil and free from pity.

Some of us try and fail. Not because we can’t do it, but because our internal monologue – familiar with this specific brand of personal emotion – says its all tired and go ahead just stop because jeez you’d be happier just eating another grilled cheese sandwich.

I’m one of these people. This is where the self-flagellation starts.

On Fear

My writer’s block story is typical, boring and expected. Yet, it feels like a revelation to me – a classic case of forests and trees and not being able to see either for the blindfold.

For me, writing was never supposed to be about visibility. It was my way of making sense of things. I wrote because I wanted to. I wrote because it felt like a skill I could take advantage of.

But somewhere along the way, I became visible. I struck gold. Once. The audience expanded, and my work was thrust into the public. I became more careful. I started thinking things through. I saw my audience – you, the public – and I wrote consciously, with purpose. I tried to write things that would hit people emotionally. Then, I stopped writing anything but emotionally. I questioned each new piece as relevant. I didn’t write anything that wasn’t meant to strike a chord. I fact-checked too much. I threw away every idea as superfluous. I stopped having fun.

I stopped having fun.

I had answers for every situation. People don’t want to read some whiny kid talk about feelings, so I won’t do that anymore. People don’t want to read about sports, or music, so I won’t do that anymore. People don’t want to read about boring dad things, so I won’t do that anymore.

As my small scope of influence grew, I found myself less willing to offer any real kind of influence. I went safe, or I didn’t go at all.

The larger the audience, the more I withdrew. The riskier the subject, the more I held back. Which brings us to where I am today: I’ve stopped saying what I want, and I’ve started being afraid of being wrong.

I am afraid of being wrong. I am afraid of being trivial. I am afraid of publishing something that will be seen as unsatisfactory.

So I publish nothing at all.

The New Rules

When I started this blog in 2005, I did so as a hobby. I was going to teach myself to write by writing every day. The daily publishing routine kept me honest and kept me thinking – every topic was worthwhile as long as it interested me. As long as it fueled some kind of passion.

Somewhere along the way, I forgot what I was doing here. I forgot who my audience was.

That audience was always me.

And, as pedantic as it sounds, I am those things I stopped writing about. I am a whiny dude with feelings. I love basketball and music. I love my kids. These are major parts of my life, and I can write about them if I want to.

But I can also write about things that make me angry. I can state my immediate feelings without worrying about which people feel differently. I can write small posts about whatever the hell I want, because damn it why shouldn’t I?

Starting today, I’m becoming the audience again.

I will write for you, yes. I will write for you because I like you. I want you to like me. I won’t make that a secret. We all want to be liked.

But if you don’t, that’s no big deal anymore. That’s not the point.

Sorry in advance. Things might get a little noisier over here.

Category: Blogging, Meta, Writing

May 14th, 2013

My greatest flaw is my memory. I’d wager that it’s our greatest flaw as a species. Our inability to remember certain things. The stress and hurt and confusion that comes from those lapses in memory.

Life in Folders

It’s because of my memory – and in spite of my memory, probably – that I found such affinity with the web: its organization, its structure, its ability to remember everything. Technology has replaced the sticky parts of our memory with a kind of semi-permanent record – a rolodex, a record collection, a calendar, a life connected by data and stored in a mythical cloud.

That’s good, right? Or are we losing something by depending on artificial knowledge like this?

The fine people at Offscreen Magazine asked me to write about something – anything – and this is what I landed on. It’s about photography. It’s about information architecture. It’s about my faulty memory. It’s about organization, its place in our life, and why it matters.

It’s one of the things I’m most proud of, too, this short essay.

You can’t read it online – not yet. When Issue 6 goes live, I’ll post “Life in Folders” for you. But out of respect for the magazine – and because, seriously, this magazine is fantastic and you should just buy it already because Nicole Jones‘ very short but very awesome thank you letter to the web is everything I’ve wanted to say for a long time – you’ll just have to purchase it or wait a bit.

It’s worth the purchase. I hope it’s worth the wait.

Category: Meta, Writing

May 6th, 2013

Through one major project and two conference gigs, I’ve spent the past two months being pressed under the weight of responsibility, my thoughts rarely wandering from my workload. It was an albatross. It was always there. And now that it’s over, I am at a loss.

Which is not to say I didn’t look forward to being finished. I did. I did very much.

“Finally,” I thought. “I’ll be able to focus on something else.” Get back to writing. Get back to taking care of months of photography, of taking up all of the hobbies I had abandoned, to release my mind from the grip it had around projects and speaking and let go a bit. Exercise. Get some sleep. Kill the anxiety.

But I’m frozen. I’m stunned. I don’t know where to start.

I’ve spent the past two months being pressed under the weight of responsibility. I dug myself out from under it. I forced a tunnel out of the stress, and emerged at the other end, bathed in freedom, ready for the sun. Instead, all I can do is blink my eyes and ease back. All I can do is hunker back into the tunnel until I’m used to feeling normal again.

Category: Career, Writing

March 8th, 2013

At some point in June, Sierra’s goldfish Goldy will forget that it ever had a friend.

But it did. Copper – Isaac’s goldfish and Goldy’s bowl companion – died on Wednesday, a loss that we commemorated Cosby-Show-style with a toilet-bowl funeral and the promise that it was on its way to fish heaven (via the sea).

Because the memory-span of a goldfish lasts up to three months, Goldy will eventually forget he ever had a fellow swimmer; for our son, it could take longer, but he too will forget. Children forget things. They always will – that’s part of growing; our memories fade, our ideals change, our lives move forward.

Most of the time.

The Accident

If this was the only traumatic thing that’s happened in the past week, we’d be lucky. Instead, we’ve been working through two weeks of surgery, pain and doubt – the result of an accident that left Isaac with a lacerated tongue and a distrust for medicine.

The story is long and tangled, but it involves an errant trip to urgent care, a non-healing tongue and two separate surgeries. It involves a 45-minute fight to take a sedative, two IVs, a week’s worth of chocolate milk and a throbbing tongue that’s been sewn together twice.

It also involves a lot of crying. A lot of night-waking. An awful lot of fighting back, of communication dissonance and Isaac’s refusal to admit when there’s a touch of trouble, his mind wary of anything that might send him back to surgery, back into the gaping maw of sedation, anesthesia and sutures.

I’m afraid it will eventually involve a lot of memory, too. Children forget things. They always will.

But if it’s something traumatic, sometimes they don’t. They’re not goldfish, after all.

Remembering the Trauma

I remember the time, when I was five, when some moron kid on a bike didn’t see me and ran me over. I remember the roll, the smack, the pain. I remember being several states away from my parents – on vacation with my grandparents – and I remember being scared. I remember having to show the tire tracks on my leg to exonerate my grandparents from abuse, because kids don’t get run over by bicycles. I remember the picture my grandma took to document the process.

Later, I remember sitting in a doctor’s office, my lungs racked with pneumonia, refusing to take the medicine I was offered. I remember someone – my father? The doctor? – say that they’d “need to take me to the hospital” if I didn’t take the medicine, and I remember crying so hard, long after I finally took the medicine, long after the scare tactic worked, so afraid that I’d be hooked up to machines like they do on television.

I remember this all, still today.

My hope is that Isaac forgets this entire ordeal. But logic assumes he wont – that the Great Tongue Laceration Incident of 2013 will live on.

I will remember it as a time of great strength and bravery, when we saw the kind of stoicism a three-year-old can exhibit. But also as a reminder of why the human body cannot be trusted. Why healing isn’t as easy as it sometimes seems.

He could remember it as a weird time of straws and ice cream. Or, he could take it on as anxiety – an irrational fear of doctors, or a sudden hatred for the Lorax Soundtrack (which has played in the background of these last two weeks like some kind of poppy Musak). He could forget. Or he could pack it away for later.

I just hope he takes it all in stride. God knows I haven’t.

Category: Isaac

February 28th, 2013

Before last year, the first and only time I ever felt comfortable in front of a crowd was at my grandfather’s memorial service.

Barely lucid in his final days, I watched him slowly lose track of the corporeal and succumb to lung cancer. He was my first hero, and here he was, human, weak, no longer able to teach me about building character and Charles Bronson films. I did my best impression of an emotionally secure human and stood in front of my family and his friends and, out of nowhere, eulogized a man who helped shape my life.

And then, I gave up. Speaking wasn’t my gig. I’d just be a writer and write in the security of my introversion.

Enter The Internet

Except, that’s not what happened. Instead, I became a part of the internet, where the playing field is leveled out if you’re willing to overcome your own insecurities.

So last year, I made a change. I decided that my introversion was a crutch. I used it to stay quiet. To be safe. To keep from failing.

I pitched for speaking gigs. And then I got one. I spent what felt like months on my slide deck. I practiced once a day for two weeks leading up, and twice a day in the few days before I’d go live. I tweaked. I ferreted out the details and made them right. I picked out a shirt ahead of time and kept it hidden and clean. I gave a damn about everything.

I had never been more frightened of a crowd in my whole life.

I went through with that speaking gig, and I didn’t shit myself or ball up on the floor, crying for mercy. Instead, I stood tall. I understood the situation. I realized I couldn’t do anything about the butterflies or the room size – all I could do is be who I was and stop giving a fuck if I failed.

Karen McGrane took this entire process and summarized it perfectly in her column for A List Apart, “Give a crap. Don’t give a fuck.”. There are two competing forces when we jump into public speaking: the need for everything to be perfect, and the understanding that we can’t always be perfect. But it’s that definition of “perfect” that holds us back. Are we being perfect for appearances? Or are we being perfect because that’s what is perfect for us?

McGrane says:

“Care deeply about your personal values and live them fully in this world. Don’t get caught up in worrying about other people’s checklists to tell you what good work means to you.”

In other words, there’s a need to focus on every detail, but there’s an even greater need to focus on the details that make better things. Your shirt might not be ironed correctly, but at least your heart is on your sleeve.

My Three Rules

Over the month between preparing for my first talk to the week after, a decade of fear faded to calmness. I attribute this to three things – the three things that are most important to public speaking, and the three things Karen expertly laid out in her article.

  1. I learned to prepare. This was taught to me by Deane Barker – if you haven’t practiced your talk at least ten times, you’re already behind. The power of this preparation not only helps you for the current talk, but it also prepares you for future talks.
  2. I cared about my audience. I’ve sat through boring speakers. I didn’t want my audience to be bored. I hated that someone might call me out on being too dull. So I fought to stay interesting, relevant and, most of all, connected to the situation.
  3. I knew enough to open myself up. I’m not perfect. I’ve made mistakes, and I’ve learned from those mistakes. So instead of focusing on other companies and the ways they’ve screwed up, I talked about my own screw ups. I talked about how I learned things. I didn’t care about how it made me look, because I knew it made me look genuine.

McGrane says,

“What elevates someone’s work from ‘technically excellent’ to ‘truly great’ is the extent to which you feel like you’re seeing them live their truth, be fully themselves.”

This takes more than just a bunch of preparation. It takes a lowering of defenses, in which we stop worrying about our mistakes and start learning – no – teaching from them. It takes understanding that there’s a fine line between giving a crap and not giving a fuck, and that finding the balance between the two can open ourselves up to the rarest of combinations: being both impressive and believable in our convictions.

February 19th, 2013

Writing is not inexhaustible, just as any creative skill is not inexhaustible. We can run out of words. This is a writer’s way of knowing that it’s time to stop – that nothing else is going to come of this, and that the cup of hot tea is more important than pushing the issue.

Looks like I’ve run out over the past few months.

Yet, there’s nothing that warns us about this. Call it fatigue – the fatigue that comes from writing for work and writing a column and writing about an industry – or call it blind fear – the fear that comes from making deadlines about very large projects. It’s bound to happen.

The words stop.

It’s a battle to make them start again. But they have to start somewhere.

I know. This writing about writing schtick gets tired, but it’s also how some people break out of the doldrums. When every possible post looks like an unscalable wall, the only thing that breaks through writer’s block is talking about writer’s block.

So forgive me for this writer’s block. If you’re still around, your patience will be rewarded – even if only a little bit at a time.

Category: Meta, Writing

December 22nd, 2012

Sure. I guess I should do some music lists.

Favorite Albums From 2012

  • Forgetters – Forgetters
  • Macklemore & Ryan Lewis – The Heist
  • Heartless Bastards – Arrow
  • The Antlers – Undersea (EP)
  • Sleigh Bells – Reign of Terror

Favorite Albums From Before 2012 That I Didn’t Pay Attention To Until 2012

  • Archers of Loaf – Icky Mettle
  • Daft Punk – Discovery
  • Aphex Twin – Come to Daddy
  • LCD Soundsystem – Sound of Silver
  • Hüsker Dü – New Day Rising

Albums From My “Favorite Albums From 2011″ List That I Haven’t Listened To Since 2011.

  • tUnE-YarDs – whokill
  • Bon Iver – Bon Iver
  • The Mountain Goats – All Eternals Deck

Lowest Vinyl Prices For The Three Albums I Want More Than Any Other, According To Discogs

Artists I Should Have Loved 25 Years Ago, Except I Was Only Eight-Years-Old

  • Hüsker Dü
  • Dinosaur Jr.
  • Minutemen
  • Archers of Loaf
  • Mission to Burma
  • fIREHOSE
  • Replacements

Songs I Keep Trying To Get My Kids To Love, But They Won’t Have It

  • “Intergalactic” – Beastie Boys
  • “The Vanishing Spies” – Frank Black
  • “(It’s A) Departure” – The Long Winters
  • “Swan Swan H” – R.E.M.
  • “Red Letter Day” – The Get Up Kids

Favorite Music Habits

  • Putting on my headphones and forgetting to turn on iTunes.
  • Sticking with the same album over and over again because my iTunes library is too large and I fear choosing a different artist.
  • Playing one song from an artist, then pausing it to do something and forgetting to press play.
  • Buying an album and forgetting to ever listen to it.
  • Listening to actual music.

Category: Music, The Top...