Category: Meta

May 14th, 2013

My greatest flaw is my memory. I’d wager that it’s our greatest flaw as a species. Our inability to remember certain things. The stress and hurt and confusion that comes from those lapses in memory.

Life in Folders

It’s because of my memory – and in spite of my memory, probably – that I found such affinity with the web: its organization, its structure, its ability to remember everything. Technology has replaced the sticky parts of our memory with a kind of semi-permanent record – a rolodex, a record collection, a calendar, a life connected by data and stored in a mythical cloud.

That’s good, right? Or are we losing something by depending on artificial knowledge like this?

The fine people at Offscreen Magazine asked me to write about something – anything – and this is what I landed on. It’s about photography. It’s about information architecture. It’s about my faulty memory. It’s about organization, its place in our life, and why it matters.

It’s one of the things I’m most proud of, too, this short essay.

You can’t read it online – not yet. When Issue 6 goes live, I’ll post “Life in Folders” for you. But out of respect for the magazine – and because, seriously, this magazine is fantastic and you should just buy it already because Nicole Jones‘ very short but very awesome thank you letter to the web is everything I’ve wanted to say for a long time – you’ll just have to purchase it or wait a bit.

It’s worth the purchase. I hope it’s worth the wait.

Category: Meta, Writing

February 19th, 2013

Writing is not inexhaustible, just as any creative skill is not inexhaustible. We can run out of words. This is a writer’s way of knowing that it’s time to stop – that nothing else is going to come of this, and that the cup of hot tea is more important than pushing the issue.

Looks like I’ve run out over the past few months.

Yet, there’s nothing that warns us about this. Call it fatigue – the fatigue that comes from writing for work and writing a column and writing about an industry – or call it blind fear – the fear that comes from making deadlines about very large projects. It’s bound to happen.

The words stop.

It’s a battle to make them start again. But they have to start somewhere.

I know. This writing about writing schtick gets tired, but it’s also how some people break out of the doldrums. When every possible post looks like an unscalable wall, the only thing that breaks through writer’s block is talking about writer’s block.

So forgive me for this writer’s block. If you’re still around, your patience will be rewarded – even if only a little bit at a time.

Category: Meta, Writing

September 20th, 2012

Over the past month, I’ve started a side project with help from the local Argus Leader called Beer I’ve Been Drinking, a more alcoholic version of the old book articles I used to write on this site. Back when I used to read books. Back when I used to read anything, really.

An excerpt from my most recent article about Autumn Brew Review:

Surly Brewing’s line is a two-headed snake, one serving a combination of standard drafts and old favorites, while the other releases special offerings every hour. I skipped their lines the first few times I walked by because I don’t hate myself enough to spend a half hour staring at the back of some guy’s Schell’s hat, but since I now realize I might miss out on the always popular fresh-hopped Surly Wet, I take a chance.

The line’s running smooth. It’s fast. I got some Wet (it is wonderful) and now find myself in the second line, where I finally get to try Surly’s yearly numerical-themed big beer, SŸX. SŸX is also wonderful, except now I’m saying “wonderful” like someone might offhandedly say “sure” to a new car or a million dollars. Syx is beyond wonderful. It’s complex, tart and delicious.

At the Great Lakes booth, I sample the Rye of the Tiger – a rye beer that’s classy and fresh. I love it. It’s getting hot, and I’m impatient. I want to try something they’re tapping at 2:00, so I jokingly ask the guy behind the booth if he could tap it a bit early. He reminds me that the festival’s only been going for 50 minutes.

I realize what this means. I go look for some food.

Between that and a recent design refresh and addition of media queries to make this site look much better on mobile devices, the word flow has been quieted. That will change.

Until then, read about beer. I like to drink it, but I like to write about it even more. For now.

Category: Meta, Writing

August 24th, 2011

I don’t find a quiet room. I don’t grab a cup of tea. Instead, I cram. I think of an idea, I email it to myself to remember later, and I sit down to write when I have time.

Honestly, I’ve never understood the pains some people go to in order to write. The planning. The organizing. The ritual. I’m sure it’s important, and billions of best sellers prove that it’s working for someone, but it just doesn’t work for me.

There’s no routine, for me. This is how I write.

This Is How I Write

I start with an idea. The idea never comes when I want it to. It comes at a random time, and that’s why a routine doesn’t work.

Usually, I jot the idea down. I email it to myself. Then, I put it on my to-do list. If I don’t put it on my to-do list, the idea might as well have never happened.

Next: when I have time, I write.

That’s all.

I know, right? Because writing is this prickly, amorphous tangle of emotion and fear and all of that.

Truth is, I just write. I just start something. If I finish, I finish. If I don’t, I wait until the next day. The issue isn’t the process – it’s about getting over the blank page, starting to write a few words, and ending up on a roll.

The tools

Today is my first day using a traditional text editor to write a blog post. I’m using BBEdit, and I’ve imported my blog’s stylesheet so I can see how it looks in realtime. My goal is to take it one step further, implementing Gruber’s Markdown syntax to create a simple and effective process toward writing my posts in HTML, making transfer to this blog more logical.

Before this, I was an unabashed Microsoft Word fan. What changed? A need for simplicity, first off, and a need for something that I could transfer from site to site. The copy/paste/format/code routine seemed so archaic, as if I was still trying to start a fire with sparks and leaves while a butane lighter sat just inches away.

I jot ideas into Evernote, but typically I use email to remind myself. My to-do list is Things, which I love, and I sketch more complex ideas into a Moleskin.

I used to use ultra-fine Sharpie pens, but they bleed through my current knock-off Moleskin. So I’ve switched to Energel Liquid Gel Ink pens from Pentel. They’re great.

Why does this matter?

It doesn’t.

Seriously. This does not matter.

This routine is mine. It’s not even a routine. It’s barely a list of actionable steps – it’s more like a random list of unactionable drivel.

I write the way I write and you write the way you write. Creativity. Analysis. Creation of any kind. These are not things that can be summed up in a 15,000-hit eHow page, or on a search marketing blog, or even person to person.

I mentioned this in my methodology post over at Eating Elephant: you create your own system by trying and failing and adapting and trying again. Because what I do will not work for you. What you do will not work for me. All we can do with each other is make suggestions, push each other harder, and remember that nothing creative is done in terms of black and white.

By all means, try my method. Try lots of methods. And take the things that work forward to create your own method.

July 5th, 2011

Once again, I was asked by Scott Hudson to guest co-host his podcast, The Ledge. This time, I brought a theme: mid- and late-90s emo, back in the days when emo wasn’t such a dirty word. The show, which is available on iTunes or via Scott’s post, was pretty fun.

So y’all should go listen to it. We talk about basketball and The Monkees and old Pomp Room shows and we maybe even kind of get into emo music a little bit.

The playlist for The Ledge, Episode 78: Corey Vilhauer’s Defense of Emo:

  1. Sunny Day Real Estate – “47” (Diary, Sub Pop 1994)
  2. Engine Kid – “Windshield” (Angel Wings, Revelation 1994)
  3. Elliott – “Calm Americans” (False Cathedrals, Revelation 2000)
  4. Mineral – “Gloria” (The Power of Failing, Epitaph 1997)
  5. Split Lip – “Street Singer” (Fate’s Got a Driver, Doghouse 1995)
  6. Rainer Maria – “Broken Radio” (Look Now Look Again, Polyvinyl 1999)
  7. Jejune – “Morale is Low” (This Afternoon’s Malady, Big Wheel Recreation 1998)
  8. Braid – “First Day Back” (Frame and Canvas, Polyvinyl 1998)
  9. The Promise Ring – “Is This Thing On?” (Nothing Feels Good, Jade Tree Records 1997)
  10. The Blacktop Cadence – “Cold Night in Virginia” (The Emo Diaries, Chapter 2, Deep Elm 1998)
  11. Samiam – “Ordinary Life” (The Emo Diaries, Chapter 1, Deep Elm 1997)
  12. Piebald – “Grace Kelly with Wings” (If it Weren’t for Venetian Blinds it Would Be Curtains For Us All, Big Wheel Recreation 1999)
  13. The Anniversary – “The D in Detroit” (Designing a Nervous Breakdown, Vagrant 2000)
  14. Reggie and the Full Effect – “Girl, Why’d You Run Away?” (Greatest Hits 1984-1987, Vagrant 1999)
  15. Jets to Brazil – “The Frequency” (Perfecting Loneliness, Jade Tree 2002)
  16. Jimmy Eat World – “Thinking, That’s All” (Static Prevails, Capitol 1996)
  17. The Get Up Kids – “Alec Eiffel” (Where Is My Mind? A Tribute to the Pixies, Glue Factory Records 1999)
  18. Seven Storey Mountain – “So Soon” (Based on a True Story, Jade Tree 2000)
  19. Texas is the Reason – “The Magic Bullet Theory” (Do You Know Who You Are?, Revelation 1995)

Category: Meta, Music

May 24th, 2011

Hey, you guys. Remember back in November when I said I was starting a content strategy blog and that I was pretty excited about it?

Well, I started a content strategy blog. And I’m pretty excited about it.

What are you waiting for? Go visit Eating Elephant. And learn about content strategy, you nerd.

May 23rd, 2011

A blog is measured by its productivity. Or, it’s measured by its quality. It’s measured by different things by different people in different situations, and those different factors lead to different differences. No one knows what a successful blog is, outside of “this blog makes me money, dawg.”

So you make it up. And that’s okay, because this is blogging, people. This is ego massaging. This is free-form writing, and there aren’t many rules, and if you think there are then you’re probably doing it wrong.

But sometimes, we get stuck looking for rules.

Which is why this is the first blog post on Black Marks on Wood Pulp in two weeks. (Official meta note: that’s the longest stretch without content the site has seen since not being a site at all.)

Why? Dunno. It’s 100% mental.

Because I read a lot of blog posts from a lot of people who are very good at writing blog posts, and a constant stream of great blog posts gives the illusion that every post is perfect and that I need to pick up my game.

Instead of getting hits when I can, I’ve been aiming for home runs. I’ve been waiting for the perfect pitch. I’ve been striking out looking.

I’ve tricked myself into thinking that there’s this one blog out there that posts something brilliant every day. Nope. Not true.

Instead, there’s thousands of blogs out there that, as a collective, through sheer numbers, post one or two great things each day. And fail. Hundreds of times each day.

Fail? Nah. That’s not right at all. They simply don’t resonate as far as those great ones. But they’re still there, and they’ve still done something, and that consistency of hits goes a long way toward making the home runs worth something.

In other words: sorry I’ve been gone. Crisis averted, I guess.

Category: Blogging, Meta