Category: Blogging

June 13th, 2013

This blog post has been deleted three times in the past five days. Each time, it was close – close to being publishable, which is ridiculous, because anything is publishable. I have a blog. I have a submit button. I can make anything live.

But I don’t. Instead, I try again. I stop. I rewrite. I kill my darlings through massacre. We’re having a fire sale. Everything must go.

Internal Monologue

We read a lot. Every day. It’s paralyzing to see the amount of emotionally charged and culturally relevant writing that gets poured onto the web each day, each author with a unique voice, each piece an original place.

It’s hard not to want to be involved. It’s even harder to be involved. Because now that writing you used to love has shifted from leisure to benchmark. When you care so strongly about writing something amazing, it’s impossible to see other great writing as anything but necessary competition.

I have always been jealous of the writers for sites like The Pastry Box Project, who are asked to bare their souls to an audience eager for enlightenment, where raw emotion is turned into life lesson. I’m jealous for how easy they make it look. But this ain’t easy, people: the line between navel gazing self-flagellation and genuine personal insight is thin. It’s stepped over and brushed aside and it takes a genuine voice to keep things civil and free from pity.

Some of us try and fail. Not because we can’t do it, but because our internal monologue – familiar with this specific brand of personal emotion – says its all tired and go ahead just stop because jeez you’d be happier just eating another grilled cheese sandwich.

I’m one of these people. This is where the self-flagellation starts.

On Fear

My writer’s block story is typical, boring and expected. Yet, it feels like a revelation to me – a classic case of forests and trees and not being able to see either for the blindfold.

For me, writing was never supposed to be about visibility. It was my way of making sense of things. I wrote because I wanted to. I wrote because it felt like a skill I could take advantage of.

But somewhere along the way, I became visible. I struck gold. Once. The audience expanded, and my work was thrust into the public. I became more careful. I started thinking things through. I saw my audience – you, the public – and I wrote consciously, with purpose. I tried to write things that would hit people emotionally. Then, I stopped writing anything but emotionally. I questioned each new piece as relevant. I didn’t write anything that wasn’t meant to strike a chord. I fact-checked too much. I threw away every idea as superfluous. I stopped having fun.

I stopped having fun.

I had answers for every situation. People don’t want to read some whiny kid talk about feelings, so I won’t do that anymore. People don’t want to read about sports, or music, so I won’t do that anymore. People don’t want to read about boring dad things, so I won’t do that anymore.

As my small scope of influence grew, I found myself less willing to offer any real kind of influence. I went safe, or I didn’t go at all.

The larger the audience, the more I withdrew. The riskier the subject, the more I held back. Which brings us to where I am today: I’ve stopped saying what I want, and I’ve started being afraid of being wrong.

I am afraid of being wrong. I am afraid of being trivial. I am afraid of publishing something that will be seen as unsatisfactory.

So I publish nothing at all.

The New Rules

When I started this blog in 2005, I did so as a hobby. I was going to teach myself to write by writing every day. The daily publishing routine kept me honest and kept me thinking – every topic was worthwhile as long as it interested me. As long as it fueled some kind of passion.

Somewhere along the way, I forgot what I was doing here. I forgot who my audience was.

That audience was always me.

And, as pedantic as it sounds, I am those things I stopped writing about. I am a whiny dude with feelings. I love basketball and music. I love my kids. These are major parts of my life, and I can write about them if I want to.

But I can also write about things that make me angry. I can state my immediate feelings without worrying about which people feel differently. I can write small posts about whatever the hell I want, because damn it why shouldn’t I?

Starting today, I’m becoming the audience again.

I will write for you, yes. I will write for you because I like you. I want you to like me. I won’t make that a secret. We all want to be liked.

But if you don’t, that’s no big deal anymore. That’s not the point.

Sorry in advance. Things might get a little noisier over here.

Category: Blogging, Meta, Writing

December 7th, 2012

Though we hate to admit it, we’re all, in some way, defined by the tools we use. The stuff we do and the things we love and the legacy we create is all deeply tied to the tools we use to get the job done – to embrace our inner neanderthal and the extensions we pick up.

Tools are specialized. They are created as a response to a problem, and they solve a very specific issue. Plumbers have specialized tools, and if you use those tools on a regular basis you are more likely to be defined as a plumber. Even those of us who use tools with wide use – laptops, or pen and pencil – are further subdivided by the solutions we use within that larger tool’s ecosystem – apps, programs, styles, brands.

I think the differences in toolsets – and the reasons why we choose them in the first place – is really fascinating, and for that reason I’ve always been drawn to The Setup – a site that focuses on what people use to get stuff done. There’s a definite focus on tools, here – equipment, apps, hacked-up solutions – over method, which, admittedly, can be dangerous. (There’s nothing worse than those moments when you realize you’ve spend hours getting a THING set up so you can actually begin doing the STUFF you want to do.)

Some of my favorite people have been featured, including:

Knowing I’m just some punk web strategist, I’m making the assumption that I’ll never be asked to submit to the site and, instead, I’m going to just lay it all out right here. This is my bootleg version of The Setup. (Without the cool URL, unfortunately.)

Who are you, and what do you do?

I’m Corey Vilhauer. I am a web strategist who still pretends he’s a writer. Sometimes I take pictures. I also blog about beer.

What hardware do you use?

I’m currently on a year-and-a-half old 15″ MacBook Pro. On the go, it’s just the laptop, but when at my desk at work it’s accompanied by two Samsung SyncMaster PX2370 23″ monitors – the better to cross-reference spreadsheets and style guides with, of course. My backups are also all handled at work through a 1TB Western Digital My Book external hard drive. I have a Magic Mouse, and my keyboard is wired.

My second screen is an iPhone 4S, which is what I now use as an iPod despite also having an older Classic 80GB iPod. I used to use an iPad 1, but ours has gotten so slow it’s difficult for me to use if for anything but reading from the Books app.

I write in a Moleskin because they’re wonderful. I use Energel Liquid Gel Ink pens. It’s all contained in Incase products – an Incase iPhone 4 Slider Case, an Incase 15″ MacBook Pro messenger bag that they don’t sell anymore – because I like Incase a lot.

There was a time I fashioned myself as an amateur photographer (I’m really just a hobbiest now who takes fancy pictures of his kids) but I still use an older Canon Rebel XTi (a.k.a. the EOS 400D) which is an entry level DSLR released in 2006. I’d guess 95% of the time I’m using our Canon 50mm 1.4f prime lens.

And what software?

This is where things get fun. I’ve already posted about how I write, but since then the tools have changed slightly. I write in Markdown using BBEdit as my text editor for posts that will end up as HTML, and I’ve begrudgingly turned back to Pages for documents and deliverables that require an extra level of formatting. (I used to be a MS Word guy, until it started taking minutes to open up.) My files are sorted by a weird combination of client, deliverable and version number – CLIENT DELIVERABLE YYMMDD. This helps my computer keep different versions of a document in chronological order.

To organize my life I use a sync of OmniFocus across my iPhone and my laptop. I use and often hate BusyCal when it comes to calendars, and the revolving door of calendar apps on my iPhone has landed – for now – on Fantastical. I still use Sparrow both for Mac and iOS, even after the Google purchase. I no longer know where things live on my computer because I’ve become an Alfred devotee. I also can’t remember a single one of my passwords because I use 1Password.

At work, we use a combination of a time-tracking system called Redmine and an newly minted intranet built on EPiServer. File sharing and internal discussions happen almost exclusively over Skype. When I need to edit graphics I’ve got a copy of Adobe Creative Suite 4, and when I need to mark things up and illustrate problems I’ll snap a screenshot with Skitch, which I’ve just learned is a part of Evernote.

Most strategic deliverables, as mentioned above, happen in Pages, but wireframes are created in OmniGraffle and presentations are hammered out in Keynote. In the rare case that I’m fooling around with code on one of my three WordPress blogs, I turn toward Expandrive and Smultron.

I’d talk about browsers, but my allegiance changes based on how much trouble I have with the current one. I love things about both Firefox and Chrome, and find myself ditching one for the other every four or five months. It’s a problem.

When I’m not doing work things, my software skews almost exclusively toward iOS. I use Tweetbot for Mac because I love Tweetbot for iOS, and the same is true for Reeder as an RSS channel on both devices. I use Instacast for podcasts, Pocket for time-shifted content, Lose It! and Runkeeper for the times when I’m trying to be healthy, and I use the official apps for Facebook, Instagram and Foursquare.

I read in Books because that’s where all of my books are. I listen to music with iTunes because I have a lot of music there, and when I do it’s with Bose AE2 headphones. I use Adobe Lightroom for editing pictures, and they all end up on Flickr because Flickr is the best place to host images for Much More Sure.

What would be your dream setup?

I don’t know that there’s more I’d need compared to my current set-up, though I imagine someday I’ll get the upgrade to a retina display. My work is a lot of meetings and documents, so as long as I have a fast text editor and a way to export documents to .pdf I’m set. I love the idea of the MacBook Air, but I also cherish a larger screen – when the two become more viable, I’ll jump toward that.

February 27th, 2012

Hitting “publish” is the modern version of seeing an article hit the newsstands, or the advertiser’s tradition of the “big reveal,” where anticipation is built up and then BLAMMO there it is read it or save it for later but please oh god please just LOVE IT. Just accept it.

We publish because we want to be seen. And there’s a fear in that. For isntance, my routine is pretty standard: I write a blog post or an article, I hit “publish,” and I run for cover. I release my thoughts and, within seconds, wonder what I’ve left out of place. We all do this, I suspect. If you’re a writer and you don’t have these moments of doom, I don’t trust you. You’re obviously a robot.

We’re afraid we might be wrong – that we’ve forgotten something, or that we’ve completely missed the point. Writing is fear, and that’s what fuels the rush of hitting “publish”.

But, what if?

What if that dread was gone, if we wrote like we build, one step at a time, publishing our final drafts and then adapting those final drafts as new . What if the “final draft” was no longer a THING, and we only worked with “deployment.” What if the fear of getting things wrong was diluted by the understanding that, yes, we can change this thing we just wrote and, yes, that is completely okay with the world?

Mandy Brown writes in her most recent Contents follow-up, “Deploy”:

“How many times have you written something, published it, and then realized in retrospect that what you thought you said was not in fact what came through? (Even if you’ve never done this yourself, you’ve certainly witnessed it in others.) What if you could revise a work after publishing it, and release it again, making clear the relationship between the first version and the new one. What if you could publish iteratively, bit by bit, at each step gathering feedback from your readers and refining the text. Would our writing be better?”

This is the second time this week I’ve read about our insistance in a final draft – in the great reveal – and how it’s being overtaken by the idea of gradual deployment. I first caught it in Robin Sloan’s 2009 essay from The New Liberal Arts, “Iteration,” which says,

“Making things is a circle. You start the arc with an idea about the world: an observation or hunch. Then you sprint around the track, getting to a prototype — a breadboard, a rough draft, a run-through—as fast as you can. Your goal isn’t to finish the thing. It’s to expose it, no matter how rough or ragged, to the real world. You do that, and you learn: Which of your ideas were right? Which were wrong? What surprised you? What did other people think? Then you plow those findings back into an improved prototype. Around the circle again. Run!”

I write for two reasons these days: I write for myself as some sort of leisure, where I explore the things that are interesting to me, and I write for my job, where I help others develop the processes they’ll need to be successful on the web.

When I write for myself, I slam it out and post it. There is one iteration: the final one.

When I write for my job, I employ a process. There is no end. There is only “what’s next.” When I hand the project off to the client, my work doesn’t end – it’s designed to keep moving forward, even after I’ve stopped actually writing words and speaking to the client.

There are iterations, and the client is expected to keep the documents and theories alive.

I still write for a finished product, because that’s what I was taught. But the technology I have access to allows me to move toward something less concrete – and, ultimately, more in line with language itself: shifting, adapting and changing, all while keeping honest the history of the words.

There’s draft and there’s published. We should fight to be somewhere in between. The question is if the method to reaching that hazy middle-ground forces us to abandon the biggest thrill of publication: the rush of the big reveal.

Or maybe that’s just it; maybe, just maybe, the big reveal is already dead.

November 7th, 2011

There was a time when I was convinced I was writing for myself and myself only. This blog is an ongoing example of that: a subjectless ramble of personal thoughts, few of which are constructed for anyone but me.

So I just wrote. I didn’t proof. I rarely edited. I threw missives out like candy at a parade, and I watched as some of them slid under the curb. When so many things are tossed out without regard to audience, they tend to be easy to miss. I wondered why people didn’t comment, and I wondered how long I’d be willing to do this, and I ultimately decided it didn’t matter. This blog is for me. I’m the audience. Screw you people.

The real answer: this blog allows me to be lazy.

Quite the opposite of its intention, which was to be my canvas for practicing the art of writing. Just write, damn it. Just keep in practice – a post-a-day calendar for a non-writer looking to break into the business. Truth is, I’m long past that, and while my skills have improved slightly, my work habits have not. I am a lazy writer. I don’t do drafts. I’m a one-take-and-it’s-done guy.

When I write posts for Eating Elephant, I take great care in writing something worth reading. I write for an audience. I don’t have an editor, but I do have an internal scribe yelling at me to be better do better write better just be better aargh. And, now that I’m trying to get something together for the upcoming Contents Magazine, I finding that scribe is yelling even louder, this time backed up by a Real Life Editor Who Offers Suggestions.

(The Real Life Editor is much nicer than the internal voice, thankfully.)

So, yeah. Writing for others? It’s hard.

For nearly seven years, I’ve misunderstand what I was supposed to be practicing with this blog. I wasn’t supposed to write for quantity, but for quality – to develop some kind of writing methodology that could force its way through writer’s block and insecurity and all of the other crap that we as writers deal with every single day. Now, with a deadline looming and an audience waiting, I find myself wishing I’d have been a more focused student.

I really wish I’d have gotten the syllabus in the first place.

Time to learn focus, I guess. Time to stop being lazy.

August 24th, 2011

I don’t find a quiet room. I don’t grab a cup of tea. Instead, I cram. I think of an idea, I email it to myself to remember later, and I sit down to write when I have time.

Honestly, I’ve never understood the pains some people go to in order to write. The planning. The organizing. The ritual. I’m sure it’s important, and billions of best sellers prove that it’s working for someone, but it just doesn’t work for me.

There’s no routine, for me. This is how I write.

This Is How I Write

I start with an idea. The idea never comes when I want it to. It comes at a random time, and that’s why a routine doesn’t work.

Usually, I jot the idea down. I email it to myself. Then, I put it on my to-do list. If I don’t put it on my to-do list, the idea might as well have never happened.

Next: when I have time, I write.

That’s all.

I know, right? Because writing is this prickly, amorphous tangle of emotion and fear and all of that.

Truth is, I just write. I just start something. If I finish, I finish. If I don’t, I wait until the next day. The issue isn’t the process – it’s about getting over the blank page, starting to write a few words, and ending up on a roll.

The tools

Today is my first day using a traditional text editor to write a blog post. I’m using BBEdit, and I’ve imported my blog’s stylesheet so I can see how it looks in realtime. My goal is to take it one step further, implementing Gruber’s Markdown syntax to create a simple and effective process toward writing my posts in HTML, making transfer to this blog more logical.

Before this, I was an unabashed Microsoft Word fan. What changed? A need for simplicity, first off, and a need for something that I could transfer from site to site. The copy/paste/format/code routine seemed so archaic, as if I was still trying to start a fire with sparks and leaves while a butane lighter sat just inches away.

I jot ideas into Evernote, but typically I use email to remind myself. My to-do list is Things, which I love, and I sketch more complex ideas into a Moleskin.

I used to use ultra-fine Sharpie pens, but they bleed through my current knock-off Moleskin. So I’ve switched to Energel Liquid Gel Ink pens from Pentel. They’re great.

Why does this matter?

It doesn’t.

Seriously. This does not matter.

This routine is mine. It’s not even a routine. It’s barely a list of actionable steps – it’s more like a random list of unactionable drivel.

I write the way I write and you write the way you write. Creativity. Analysis. Creation of any kind. These are not things that can be summed up in a 15,000-hit eHow page, or on a search marketing blog, or even person to person.

I mentioned this in my methodology post over at Eating Elephant: you create your own system by trying and failing and adapting and trying again. Because what I do will not work for you. What you do will not work for me. All we can do with each other is make suggestions, push each other harder, and remember that nothing creative is done in terms of black and white.

By all means, try my method. Try lots of methods. And take the things that work forward to create your own method.

July 20th, 2011

It always strikes me how the most active people from the old 9rules community – and I’m thinking about the community from 2005-2007, when I was a new member and the Triad was still around and everything felt awesome – have all ended up skewing toward what I like to think of as the New Creative Industries: web development and strategy, digital design, digital photography, etc. This from a group that wasn’t necessarily a tech- or web-related bunch: people in 9rules did not blog exclusively about technology, development or digital design at all.

For those who don’t remember, 9rules was a blog community. A pretty great one, for a while. Backed by Scrivs and Tyme and Mike, 9rules collected the best of unrepresented blogs, aggregating content and helping others discover good writing and design. It was an honor to be selected.

I was a late bloomer – I came in on round 5 of acceptances in 2006, a few years before the Triad sold off and the site became a shell – but I remember the thrill in finding like-minded blog nuts, all blogging about random things.

Many of these people I still keep track of. I still follow Kyle Neath and Alex Morse and Scrivs, and I’d consider myself Internet Friends with even more – Nils Geylan and Abi Jones come to mind. Even Deane is a former 9rules alumnus.

There are more. More talented former 9rules bloggers. More still awesome people. I can’t list them all.

And, outside of the 9rules connection, they all have one thing in common: They all work on the web. Or, they are keenly interested in the web. Or they use the web to their advantage.

By collecting high quality blogs, was 9rules also – in some way – collecting a new generation of curators and web creatives and future people of note? Was I lucky enough to be included in something larger than I even realize – larger than the site itself was even able to realize?

Was the underlying theme of 9rules this sense of discovery? That people who were willing to stay current and keep posting content and be vigilant about quality were already pre-determined to forge forward into the increasingly stable and viable web world?

Did we all become web professionals because we were in 9rules? Or did 9rules work because we were all deeply interested in creating great things for the web?

Or is just a blatantly obvious connection that I’ve been too dull to notice until recently?

Category: Blogging, Web

May 31st, 2011

My Top Six Things from Top Six Things, a list of lists by Clinton Forry:

  1. Top Six Words or Phrases That, When Spoken, May Make You Appear Intoxicated
  2. Top Six Favorite Obscure Contractions
  3. Top Six Unintentionally Filthy Nautical Terms
  4. Top Six Actual Business Names Seen On My Roadtrip to Devil’s Tower in Wyoming
  5. Top Six Things At Which I Am Awesome
  6. Top Six Words That I Use Regularly But Never Hear Anyone Else Use

Only two months old and I’m already excited for the book deal.

Category: Blogging, Linkage